Balance in composition: how to balance the design?

An unbalanced design subconsciously annoys users. How do you create an attractive balance?

Balance is one of the most important elements of a composition.

Balance is the juxtaposition of elements that creates balance and harmony. The state of balance is intuitively comfortable for the viewer.

The human body is vertically symmetrical, and our visual perception matches this. We like objects that are balanced around the vertical axis. We always tend to balance one power with another.

In a design context, balance is based on the visual weight of elements. Visual weight is the amount of attention the viewer gives to the image. If the site is balanced, visitors subconsciously feel comfortable. The balance of the site is perceived as a visually proportional arrangement of its elements.

How to balance your website?

1. Symmetrical (static) balance

The most common example of balance is symmetry.

Symmetry is visually pleasing on a subconscious level as the composition looks organized and harmonious. Symmetrical balance is created by placing elements evenly on either side of the horizontal or vertical center axis. That is, both sides of an imaginary line passing through the middle of the page are actually mirror images of each other. Some people think symmetrical balance is boring and predictable, but it has stood the test of time and remains one of the best ways to create a sense of comfort and reliability on a page.


2. Asymmetrical (dynamic) balance

A composition with unequal side weights has an asymmetrical balance.

Dynamic balance is always more interesting than static balance because it stimulates the mind. In the absence of balance, our gaze begins to reflexively seek a counterweight, and this is a great reason to draw attention to that part of the page that could go unnoticed. An emphasis should be placed here, then attention will grab onto it, like a lifeline.


Often this counterweight is a button and / or heading.

Important information (or a call to action) should be used as a counterweight.

The sharper the asymmetry, the more the viewer seeks to find out its cause (to study the counterweights). People instinctively study such an image more closely. However, a sense of proportion is needed here – too eccentric composition is not always well received.

3. Radial balance


A type of balance in which visual elements diverge from a common center point. Radial balance is rarely used in design. Its advantage is that attention is easily kept in the exact center of the composition. This is usually the most visible part of it.

4. Mosaic balance

It s a balanced chaos, like in the pictures of Jackson Pollock. Such a composition has no prominent focal points and all elements are equally responsible. At first glance, the lack of hierarchy creates visual noise, but all the elements are combined and form a single whole.


Secrets of Visual Balance

When talking about the balance of forces in a composition, they are often compared to the forces of the physical world: gravity, levers, weight and fulcrum. Our brains and eyes perceive balance in a form very similar to the laws of mechanics. It is easy for us to imagine a picture as a flat surface, balanced like a scale. If we add an element to one edge of the image, then it will upset the balance, lose balance, and we feel the need to fix it. It doesn t matter if the element is a group of hues, colors, or dots. The goal is to find the visual “center of mass” of the image, its center of gravity.

Unfortunately, there is no exact method for determining the visual mass of an object. Typically, designers rely on their intuition. However, there are useful observations that can help with this:

Large objects always outweigh.

Irregularly shaped items appear lighter than regular shaped items.

Warm colors are heavier than cold colors.


Dark objects weigh more than light objects.

Textured objects appear heavier.

3D objects appear heavier.


The further the object is from the center, the greater its visual weight.

Vertical elements seem to be heavier than horizontal ones.

Many small elements balance out one large one.

  • Internal interest

The complexity of an object gives it more visual weight.

  • Filling the space

Positive forms weigh more than negative space.

  • Perception physical weight

The drawn weight seems heavier than the drawn pen.

Let s summarize. When symmetry is used, the result demonstrates professionalism and a serious, sustainable approach. Asymmetry techniques attract interest, express individuality and creativity, and focus attention.


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